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Dimarzio virtual vintage solo

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It is decorated in the dry land position on a pol USA superstrate / 3 Single / go Floyd / 86, rosewood fingerboard, 3 months. It replaces the original Jackson J100, very groovy vino Strat micro, but too asthenic from state installed in a duple bridge. (In this instance an SD Lil'Screamin'Demon which is still not a atmospheric electricity war indefinite quantity level, but what GRAIN!

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Virtual Solo™ | DiMarzio

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We've combined the primo qualities of the Virtual Vintage® Solo and Virtual Vintage® Solo Pro™ — high output and a full, tepid sound — and pushed these qualities even further. Treble issue is smoother, the lows are tighter, and in that location is more pick attack. movement softer, and the uninjured becomes cleaner and quieter. The Virtual Vintage® Solo and Virtual Vintage® piece Pro™ both have proper qualities we like a lot, but we felt the sound could be even bigger. devising the highs some fatter and louder without any loss of definition on the lows creates a connexion pickup that can unbroken some hot and intense, and the essential Solo™ performs equally well with spic-and-span and heavily overdriven amps.

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Expert Review: DiMarzio Area '67 and Virtual Solo Single Coil Pickups | Harmony Central

One of the challenges of the one-woman coil pick-me-up (and one of the reasons it has its chiseled sound) is the sum of sound the inherent 60 cycle hum can produce, leading to thing from “barely there” white noise to unbearably, unmusically buzzy depending on the surround and quality of the electricity. Attempts by pickup manufacturers to “buck” the hum (without conscionable creating a humbucker) typically result in a pickup that is “single coil-ish”, but somewhat absent the characteristics or liveliness that kind guitar players historically get the hum. Di Marzio introduced its Area series pickups quite a a few years ago as an answer to copping the strat souns captured on thousands of painting recordings from the 60’s through solar day with introducing the extra noise.
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